In The Key Of C

The Key of C Major is comprised of 7 of twelve possible notes in an octave. They are spaced in patterns. From the root annotation they are spaced a whole step (2 frets) to the 2nd note, a whole step to the 3rd notation, a half step (1 fret) to the fourth note, a whole step to the fifth note, a whole step to the 6th note, a whole pace to the seventh annotation, and a half stride into the octave. Then the pattern repeats. In that location are seven octaves of C Major on a 88 Key piano. There are three octaves on a guitar.

← C - D - East F - Thou - A - B C - D - E F - Thou - A - B C →

The chords in a Major Primal are chords which are comprised of notes in the central. Any two notes played together make an Interval. 2 or more than Intervals played together brand a chord. Iii annotation chords made from the root, third and fifth are described past their quality; Major, small, diminished, and augmented. A Major chord (noted as i - iii - v) has a minor Interval (of 3 frets) placed on elevation of a Major Interval (of 4 frets). A pocket-sized chord (noted as ane - ♭3 - 5) has a Major Interval (of 4 frets) placed on acme of a minor Interval (of 3 frets). A macerated chord (noted as 1 - ♭3 - ♭5) has a minor Interval (of 3 frets) placed on top on another modest Interval (of 3 frets). An augmented chord (noted equally 1 - iii - ♯five) has a Major Interval (of iv frets) placed on pinnacle of a Major Interval (of 4 frets). Major and minor as terms refer to the quality of the 3rd in a chord. Diminished and augmented refer to the quality of the fifth in a chord. A Major Key naturally has 3 Major chords (I, 4, and V), 3 minor chords (ii, iii, and six), and 1 macerated chord (vii^Ο). Both keys and chords have roots. The root of a central is the proper noun of the key, and the root of a chord is the name of the chord. This may seem very confusing at first, merely the more yous learn about keys and chords, and the longer you lot study, it will make more than sense. An "A" note as the root can then be built into an A Major chord, an A pocket-sized chord, an A diminished chord, or an A augmented chord, but only one of these chords volition naturally occur in any given Key. In the Key of C Major, where "C" is the root of the Cardinal, the A chord which naturally occurs is the A minor chord, with the notes A-C-E, where "A" is the root (1) of the chord, "C" is the flattened third (♭3) from the chord root, and "Due east" is the fifth (5) from the chord root. The root of the Major Key is always a Major chord. In the Central of C Major, the C chord is also a C Major (with the notes C-Eastward-K, where "C" is the root, "Due east" is the 3rd, and "G" is the 5th).

Seventh chords (7th), ninth chords (9th), eleventh chords (11th), and thirteenth chords (13th) are counted past repeating the notes in the adjacent octave. Notes in a key can have two numbers. A "D" note is the second and the ninth note in C Major. A three notation C chord adding the "D" note would refer to the notation as a 2d (2nd) in a 2 chord, similar a C^sus2 or a C^add2. A 9th chord always implies the chord being ane-three-5-7-nine, where the "D" is considered the ninth in a CM⁹ chord, not the second. This applies to eleventh and thirteenth chords likewise, although with the quaternary and 6th notes respectively. This will always seem confusing at the start, only the tables below will assistance in seeing the deviation in chords and their names. A Major chord is written by the note, like C or One thousand, significant a C Major or G Major chord. A minor chord is written past adding a small "m", like in Dm or Am, meaning a D minor or A minor chord. A diminished chord is written by calculation "dim" or "^Ο", like in Bdim or B^Ο, meaning a B diminished chord. A half-diminished chord is written with a "^∅", like a B^∅seven, where a flattened seventh (♭7) is added to a diminished B chord. When a third in a chord is replaced by the second or fourth note, the chord is written by calculation "sus", pregnant a suspended chord, like in A^sus2 (where the 3rd is replaced past the 2nd) and D^sus4 (where the 3rd is replaced by the fourth). Don't let the names confuse y'all, expect at the notes, meet the patterns.

Notice there is only one 13th chord in a primal, with vii different names depending on the root of the chord when played. Also notice that when you lot add a 6th note to a triad, the new chord has the same notes equally another triad with an added 7th, C^add6 has the same notes as Am⁷. Don't fear the names of the chords, but look at the intervals in blue, see the patterns to names, like a Major 7th chord, as in a CM⁷ (1-iii-v-7), or a 7th chord (or ascendant seventh chord), every bit in a 1000^seven (1-three-v-♭vii), or a minor seventh chord, as in a Dm^vii (1-♭3-five-♭7), or a one-half-diminished 7th chord, equally in a B^∅7 (1-♭3-♭5-♭7). When playing in a Major Central, notes outside of the central may be added, creating chords not shown higher up. When a annotation outside of the Key is added to a chord, the note is considered an accidental note and would need to be marked in the name of the chord.

At that place is usually more than one identify on a guitar where a chord can exist played. To figure out places to play a chord, write the notes of the chord down in a text file (or on a sheet of paper) and then visit the Major Primal position charts on guitar. Find the notes on the chart and think of how to play all iii notes. You lot do not have to play all half dozen strings to play a chord. The positions are shown in the key of C Major. Merely call up that a sharp (♯) is 1 fret up from a note, a flat (♭) is one fret downwards. On the sixth cord of a guitar, the F is on the get-go fret. F♯ is on the 2nd fret. Grand is on the third fret. G♭ is on the 2d fret. F♯ and G♭ are the same note on a guitar.

almost Major Keys

There are xv Major Keys in Western music. The Key of C Major, which has no sharps or flats. The Cardinal of G Major, which has one abrupt, F♯. The Fundamental of D Major, which has two sharps, F♯, and C♯. The Key of A Major, which has three sharps, F♯, C♯, and Grand♯. The Key of E Major, which has four sharps, F♯, C♯, G♯, and D♯. The Fundamental of B Major, which has 5 sharps, F♯, C♯, Yard♯, D♯, and A♯. The Primal of F♯ Major, which has six sharps, F♯, C♯, Thou♯, D♯, A♯, and Eastward♯. The Primal of C♯ Major, which has seven sharps, F♯, C♯, G♯, D♯, A♯, E♯, and B♯. The Key of F Major, which has one apartment, B♭. The Key of B♭ Major, which has two flats, B♭, and E♭. The Fundamental of East♭ Major, which has three flats, B♭, E♭, and A♭. The Fundamental of A♭ Major, which has four flats, B♭, E♭, A♭, and D♭. The Cardinal of D♭ Major, which has 5 flats, B♭, E♭, A♭, D♭, and G♭. The Key of G♭ Major, which has six flats, B♭, E♭, A♭, D♭, M♭, and C♭. The Key of C♭ Major, which has vii flats, B♭, East♭, A♭, D♭, Yard♭, C♭, and F♭.

Three of the keys share notes with 3 other keys, they are called enharmonic. They may look the aforementioned on a guitar or piano, but look very dissimilar in sheet music. C♭ Major and B Major are enharmonic, C♯ Major and D♭ Major are enharmonic, and F♯ Major and G♭ Major are enharmonic, sharing notes on a guitar. C Major is the all-time key to written report the patterns of chords, equally there are no extra sharps and flats to contend with, counting out notes in the scale is easier. It is overnice to have all xv keys for reference, but in practical use a guitarist may only play a few of these keys. Guitar is easier to play when at least some of the open strings are in the key.

about author

KarrArikh Tor has been playing guitar for over 40 years. He is the guitarist in Infinisynth, Deemed Psychotic, Future Dialogue and Tor's Angst. Beingness autistic with ADHD, he has a unique logical approach to things. He chooses to use colours to assistance ascertain data. His book, Music Theory: The Language of Audio, demystifies guitar and bass guitar in a straightforward, easy to read manner. The Quick reference version contains all the incredible full color graphics from Music Theory: The Language of Sound in one place! The full colour graphics tie the fretboards of a guitar and bass guitar to the piano keyboard and sheet music, making it a valuable tool not just for guitarists and bassists but for every member in a band. Fast and handy for any music theory educatee. Dutch language version of the reference guide bachelor at present.

Music Theory: the Language of Sound (full textbook)

The Linguistic communication of Audio – in colour – Volume 1

The Language of Sound – in colour – Book 2

The Linguistic communication of Sound – in colour – Book 3

Muziektheorie: De taal van het geluid-Naslaggids

Music Theory: The Linguistic communication of Audio-Quick Reference

Music Theory: The Language of Sound, the volume and quick reference are based on the information on this site, which KarrArikh Tor used to teach his students. The new volume explains how these charts and information tin be used. This website was designed only to be a quick reference resource, and was originally titled "The Dark World International Experimental School of Music".